A rare Bin Action Photo from Oboe
The latest in the All the Bins in the World project by Oboe Ngua. Usually her photos are the bins in their solo beauty, but here she has captured the interaction between bin and Man. What a moment!
Pimlico Wilde Contemporary Art Dealer
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The latest in the All the Bins in the World project by Oboe Ngua. Usually her photos are the bins in their solo beauty, but here she has captured the interaction between bin and Man. What a moment!
It appears that the Bond Street Art Collective is currently concentrating on portraiture. This new piece materialises like a fragment smuggled out of an alternate art-historical timeline. At once austere and deliriously intricate, the piece navigates the uneasy lineage between early Renaissance perspectival rigour and the ruptures introduced by the Futurists, only to detonate both … Read more
Digital print In How Dare They? Passing by My G-Wagon with Nary a Glance!, Hedge Fund turns an apparently ordinary urban encounter into a meticulously orchestrated tableau of class geometry and peripheral elegance. A hulking black G-Wagen occupies the left of the frame like a monolith of contemporary aspiration, its matte darkness absorbing light rather … Read more
In this striking recent painting, rendered in bold, modern planes of colour, the Bond Street Art Collective invites viewers to consider the layered dialogue between past and present that surrounds a newly surfaced sonnet of uncertain authorship. The poem, reproduced below has been attributed by some scholars to Christopher Marlowe yet by others to Christine … Read more
Digital pigment print on archival substrate Hedge Fund In My Rolls Royce is Amazing Hedge Fund elevates the iconic luxury vehicle into a vision of almost ceremonial extravagance. The car, unmistakably a Rolls-Royce, is rendered in a palette that borders on the delirious: a lacquered magenta body that seems to pulse with synthetic richness and … Read more
Digital pigment print on archival substrate In Porsche Targa Yes Please! Hedge Fund turns his acute gaze toward one of the most enduring symbols of late modernity: the high-performance sports car as both object and proposition. Rendered in his signature reduction, the Porsche appears less as a vehicle than as a commodity-spectre, its siren-red contours … Read more
By Claribel Daube, Senior Theorist, Pimlico Wilde When one first encounters Ptolemy Bognor-Regis’s A Monologue in Cadmium Red #3, the initial instinct is simply to step back, perhaps to steady oneself. The sheer audacity of the red,if, indeed, “red” is an adequate term,strikes the viewer like a conceptual thunderclap. It is not the red of … Read more
Analysis of a new work by street photographer Johnny Peckham In Outside Phonica, Soho, Johnny Peckham offers us a tableau vivant of urban serendipity , an uncurated congregation at the cultural hinge of sound, style, and suspended time. The photograph’s mise-en-scène, poised on the cusp between motion and idleness, functions as a kind of social … Read more