Pimlico Wilde Contemporary Art
Helping collectors build exciting collections
The secretive Bond Street Art Collective has released a new image, In Hyde Park #1, a work of saturated crimsons and pinks; a chromatic piece in which the distinction between interior and exterior, centre and periphery, organic form and abstraction becomes increasingly difficult to maintain. The enormous pink expanse appears almost geological. Fine veins radiate … Read more
There is an understandable temptation to describe this work as a field of coloured marks enclosed within a border. Such a reading, while technically defensible, mistakes appearance for ontology. For Van Gogh (Not That One), the individual mark is never autonomous. It exists only in relation to the infinitesimal hesitation separating it from its neighbours. … Read more
Digital pigment print on archival substrate With I Usually Park Behind the Royal Academy, Hedge Fund continues his celebrated exploration of aspiration as public performance. At first glance, the work appears to document a fleeting London street scene: a red Porsche resting quietly against a backdrop of Georgian façades while pedestrians pursue the reassuring banality of … Read more
Johnny Peckham, 2026 With The Last Tub of Cornish Vanilla Before Civilisation Collapses, Johnny Peckham accomplishes the seemingly impossible: he transforms the supermarket freezer into a site of metaphysical inquiry. At first glance, this is simply a depleted Tesco cabinet during a summer heatwave. On closer inspection, it reveals itself as a meditation on entropy, … Read more
Archival pigment print on museum-grade cotton rag paperEdition of 3 + 1 Artist’s Proof Part of the enormous ongoing cycle All the Bins in the World, Threshold for the Unconsumed marks a shift in Ngua’s practice away from straight documentary photography and towards what the artist has described as a “post-disposal phenomenology.” Here, the municipal recycling bin is neither … Read more
There are moments in contemporary art when ownership transcends acquisition and becomes almost initiation. This may be one of those moments for K.M. Sandown, chairman of the Bloomsbury Gelato Society and owner of the earliest fossilised dandelion found in East Hertfordshire. With this Untitled (Portrait), P1X3L once again demonstrates why collectors across Berlin, Seoul, Miami … Read more
Digital print In Lady Venetia Cashmere, After the Third Martini, Hedge Fund delivers one of his most psychologically mischievous portraits to date. The composition is cropped with almost indecent intimacy, forcing the viewer into proximity with a smile that is equal parts triumph and calculation. Her electric blue eyeshadow spreads like a financial horizon, confident … Read more
On the occasion of a new Ngua photograph, Theorina Blank writes about the Theology of Refuse. At last we can see Ngua’s latest offering to the canon of contemporary urban observation: Just Full (Central London, 2025). The work, deceptively simple, presents a standard dual-compartment recycling and general waste bin positioned before a Nike billboard, its … Read more
