Drawings to buy

New work by P1X3L: Untitled (Portrait of K.M. Sandown)

by

There are moments in contemporary art when ownership transcends acquisition and becomes almost initiation. This may be one of those moments for K.M. Sandown, chairman of the Bloomsbury Gelato Society and owner of the earliest fossilised dandelion found in East Hertfordshire. With this Untitled (Portrait), P1X3L once again demonstrates why collectors across Berlin, Seoul, Miami … Read more

New Work: Just Full (Central London) by Ngua

by

On the occasion of a new Ngua photograph, Theorina Blank writes about the Theology of Refuse. At last we can see Ngua’s latest offering to the canon of contemporary urban observation: Just Full (Central London, 2025). The work, deceptively simple, presents a standard dual-compartment recycling and general waste bin positioned before a Nike billboard, its … Read more

Hackson Jollock: The Line Learns to Breathe

by

At first encounter, the new monochrome work by Hackson Jollock appears almost evasive. Black lines wander across a white field with an air of studied indifference, looping, stuttering, accelerating, then hesitating as if the drawing were caught mid-thought and decided not to resolve itself for our benefit. There is no centre, no hierarchy, no obvious … Read more

Doodle Pip, Portrait of a Friend II (But which one?!)

by

This latest work by Doodle Pip arrives already trailing a wake of anticipation. In a market and critical climate hungry for the new yet suspicious of sincerity, Pip’s portraits, so resolutely uninterested in resemblance, have become unexpectedly coveted objects. Portrait of a Friend II (But which one?!) continues the artist’s sustained dismantling of verisimilitude, offering … Read more

New work: Hackson Jollock, Untitled (Interface Rapture No. 87)

by

by Zeleke Akpan At first encounter, this piece announces itself as a palimpsest of ecstatic refusal. Looping vectors of incandescent orange, imperial violet, and infrastructural blue collide and coalesce across a void-white ground that functions less as background than as metaphysical provocation. The marks, if one dares call them that, oscillate between urgency and indifference, … Read more

Kilo Barnes and the Ontology of the Covered Surface

by

It is a curious thing, encountering a new work by Kilo Barnes, in that one is never quite certain whether one is encountering a work at all, or merely the residue of a decision, the afterimage of an argument that has already taken place elsewhere. Barnes’s latest piece, presented without title, without wall text of … Read more

Wheel of Fortune (Quarterly Results Pending)- Hedge Fund (2025)

by

Not For Sale In Wheel of Fortune (Quarterly Results Pending) Hedge Fund reduces the luxury automobile to its most hypnotic fragment. The wheel, isolated and enlarged, becomes a circular diagram of velocity, value, and repetition. Rendered in saturated yellows against a field of electric blue and absolute black, the image oscillates between mechanical precision and … Read more