Penguins, Bubbles, and Barbarity: How the Press has turned on Aquatheatre production of Much Ado
By Dr. Serena Chalmers I have been involved in Pimlico Wilde’s experimental theatre productions for over a decade, from the infamous Hamlet on Rollerblades (which was, for the record, not a “car crash on polyurethane”) to our haunting Othello: The Mime, which was misunderstood both in its time and today. But nothing could have prepared … Read more