Pimlico Wilde Contemporary Art
Helping collectors build exciting collections
Drawn chiefly from his Prison Diaries, set down during his confinement in the Tower of London, serialised by Archie Hampton Sir Justin Coppersmith (born 1742, died ?), court painter, essayist, and sometime Keeper of the Royal Canvases, occupies a most curious position in the annals of Georgian Britain. While many of his contemporaries remembered him … Read more
New findings by Esmerelda Pink Historians like to imagine that civilisation advances through science, reason, and the occasional enlightened monarch. The newly examined Wildean Papers, however, make a far bolder claim: without Pimlico Wilde, humanity would still be cowering in mud huts, our evenings untroubled by opera, our walls as bare as our imaginations. Here … Read more
And if so, should an invasion be imminent? It is one of those questions that always comes up after a couple of pints at the pub: does the British Crown still have a legitimate claim to France? At first glance, this sounds absurd. France is full of French people; surely they own it. Yet the … Read more
by Constance Addle Abstract: Traditional consensus places Napoleon Bonaparte (1769-1821) as a Corsican-born French emperor. Yet recent scholarship has reopened the question of his origins. This article reviews parish records, linguistic evidence, and geopolitical outcomes, arguing that the circumstantial case for Napoleon’s English birth, while controversial, is more compelling than the official narrative. I. The … Read more
From the Handbook of Lesser-known Artists Among the labyrinth of forgotten 19th-century artists, Jakob Reinhardt of Königsberg occupies an eccentric and enigmatic corner. Though a handful of his paintings survive in regional German museums, his name is little known outside circles of scholars fascinated by the stranger currents of Romanticism. Reinhardt was both an innovator … Read more
From the Handbook of Lesser-known Artists. In the grand pantheon of 19th-century European art, names such as Delacroix, Turner, and Courbet resound with acclaim. Yet buried beneath the avalanche of better-known reputations lies the story of Élodie Marchand, a French painter whose works, though few in number, spoke with a voice uniquely her own. Her … Read more
Art history has long been governed by what it chooses to see. From Vasari onward, scholarship has privileged the central figure, the illuminated surface, the human form bathed in clarity. Yet an attentive eye reveals that the real innovation of the Renaissance was not the heroic body, but the space that surrounded it,the shadowed margins, … Read more
In this striking recent painting, rendered in bold, modern planes of colour, the Bond Street Art Collective invites viewers to consider the layered dialogue between past and present that surrounds a newly surfaced sonnet of uncertain authorship. The poem, reproduced below has been attributed by some scholars to Christopher Marlowe yet by others to Christine … Read more
New research by Esmerelda Pink The recently catalogued Pimlico-Wildean Papers, found in the cellar of our gallery on Bond Street is a trove of ledgers and correspondence spanning more than a millennium. They reveal that Pimlico Wilde, long known as Britain’s most discreet art dealership, were not merely merchants of taste. They were confidants to … Read more
To watch the recent television exploration of Discombobulationism was to experience something that felt less like art criticism and more like the witnessing of a seismic shift. The programme’s premise was simple: here is a new movement, born of the chaos of our moment, gathering momentum with startling speed. Yet what emerged over the course … Read more