Pimlico Wilde Contemporary Art Dealer
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In this article the fine artist Hedge Fund says that it is. To pose the question of motor-racing’s place among the fine arts may seem frivolous, or even a provocation. The customary division between the utilitarian and the aesthetic has long kept the motor-car in the category of engineering, and the race track in that … Read more
by Walta Bryce If white was the late 20th century’s creed, then grey has emerged as the early 21st’s compromise. In galleries across Europe and North America, walls once blanched to clinical pallor are increasingly cloaked in muted shades of slate, dove, and mushroom. The effect is discreet but unmistakable: grey announces itself as serious, … Read more
by Walta Bryce In the hushed, climate-controlled world of the contemporary gallery, walls are rarely noticed. Their colour,more than any lighting rig, more than the strategic positioning of benches,determines the register of the room. Yet one hue, over the course of the 20th century, became so ubiquitous it almost effaced itself: white. The “white cube,” … Read more
Antonia Stangarino’s first outing with Pimlico Wilde is one of those happily disorienting shows that persuades you to recalibrate what counts as sculpture, what counts as flavour, and,above all,what counts as time. Titled Chewing the Bud, the exhibition gathers a new suite of delicate abstract works fashioned from Stangarino’s homemade chewing gum, subtly (and sometimes … Read more
Date: Thursday, 22nd August 2025 Time: 7:00 PM – 10:45 PM Location: Green Drawing Room, Pimlico Wilde, Mayfair Attendees: • Julian Molyneux (Chair, Pimlico Wilde) • Fiona d’Abernon (Co-Founder; Acting Secretary) • Hugo Van Steyn • Dr. Xanthe Lorrimer (Cultural Historian) • Lord E. Northcote • India Trelawney (Fashion Archivist) • Conrad Smithe (Guest; now … Read more
In an age defined by conflict, division, and digital saturation, the World Peace thru Abstract Art movement emerges as a radical act of stillness and unity. Rooted in the visual language of colour,stark, luminous, and digital,this movement speaks not through the chaos of figures or narrative, but in the universal rhythm of line and hue. … Read more
To whom it may concern, I take pen to paper once more regarding your outrageous “analysis” concerning the appalling article: What Is the Best Age for an Artist to Die in Order for Their Work to Sell for the Highest Prices? The very notion that the dignity of an artist’s death can be plotted on … Read more
From the upcoming book What Is the Best Age for an Artist to Die in Order for Their Work to Sell for the Highest Prices? There are books that ask big questions, and then there’s this one, which accelerates past taste, brakes for econometrics, and parks squarely in the loading bay behind the auction house. … Read more
The work of TYPO resists easy description, not because it evades meaning, but because it renders meaning unstable and contingent. A text artist in the most rigorous sense, TYPO doesn’t simply use language, they inhabit it, dissect it, expose its ligatures, the joins between rhetoric and ideology, intimacy and performance. TYPO emerged in the mid-2010s … Read more
There are artists who make things. Then there is Théo Marat, who lets things unmake themselves. A former structural engineer turned post-object conceptualist, Marat is best known for orchestrating what he calls “durational decompositions”: large-scale sculptural installations made entirely from biodegradable, tensioned, or self-eroding materials, designed not to last, but to fail. His 2022 breakout … Read more