Bin photos continued – the bin that isn’t a bin…
Pore over this image as much as you like, you will not spot a physical bin. Yet this is de facto a bin; it is one of an increasing number of what Oboe refers to as binlessbins, (yes, all one word).
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Pore over this image as much as you like, you will not spot a physical bin. Yet this is de facto a bin; it is one of an increasing number of what Oboe refers to as binlessbins, (yes, all one word).
100 x 100 cm In Nothing makes sense, TYPO delivers yet another incisive rupture in the assumed legibility of language. Here, a single declarative phrase,blunt, exhausted, defiant,is rendered unstable through typographic intervention and chromatic tension. Set against a high-chroma orange ground (a color oscillating between emergency and exuberance), the text is striated, its letterforms visually … Read more
Digital Edition of 3 (plus 1 artist’s proof) Where Mr. Larson explored the weary grandeur of the pub entrepreneur, Trudi expands Hedge Fund’s ever-evolving thesis into the realm of Hyper-luxury , a portrait of aspiration, reinvention, and terminal optimism rendered in more riotous colours than Fund usually uses. The subject, “Trudi,” is a tax consultant … Read more
Digital illustration on archival print Analysed by our British Prints expert Hugo Spillane. But Was This the End? is a question, an echo, a final frame with no clear origin. In this hauntingly sleek work, Sandy Warre-Hole once again straddles the blurred boundary between narrative and void, assembling a digital portrait that feels more like … Read more
Brompton Road, 2025 In Brompton Road, Chester Hubble continues his quest to interrogate the porous boundary between corporeal fragility and urban indifference. Operating at the volatile intersection of land art, performance, and what he terms “auditory extremity,” Hubble offers not merely a body of work, but a body in work,plunged blindfolded into the arterial chaos … Read more