Pimlico Wilde Contemporary Art Dealer
Helping collectors build exciting collections
By Miley Merrot I meet R. Sallow in a café that he insists is not the café we are sitting in. This, he explains gently, is already part of the work. Sallow is among the younger generation of Invisibilism artists, though ‘younger’ here refers less to age than to degree of withdrawal. His recent exhibition, … Read more
By Martin Elswyth, Curator Emeritus at Berkeley Centre for the Arts, Ravenscroft In the long arc of art history, cutting-edge artists have needed collectors to join them in the avant-garde. The Medici did not simply acquire pigment and panel; they purchased the future. Peggy Guggenheim did not merely accumulate canvases; she staged modernism’s coming-out party. … Read more
In the well-lit corridors of Pimlico Wilde, that sharp dealer-gallery that has been taking over the world, something quietly baroque has been unfolding. Known for its precision curation and its increasingly opaque roster of conceptual heavyweights, the gallery now finds itself in the midst of an internal realignment. Not quite a mutiny, not quite a … Read more
PENRHYS, ALUN (b. 1931, Llanfrynach, Wales – d. presumed 1988, location unknown) British conceptual artist, widely regarded as the founder of Invisibilism. A former taxidermist turned avant-garde theorist, Penrhys proposed the radical dematerialisation of art in his 1972 “Abermyrddin Proclamations,” later privately circulated in a chapbook titled The Aesthetic of Absence. His early work, including … Read more
By Cal Dereau In a studio somewhere in North London, the artist known only as V sits in front of a completely empty plinth. Or at least, it appears empty. According to her, it isn’t. The work is there. You’re simply not seeing it. V is one of the key figures in Invisibilism, the whispering-edge … Read more
by Dr. Clement Darnley, Professor of Aesthetic Theory, University of Sussex Invisibilism, that beguiling spectre of a movement born in the misty hinterlands of mid-Wales, has spent the past five decades whispering into the ears of critics, curators, and collectors alike. Its adherents tell us that art need not be seen to be felt, need … Read more
In the rolling, sheep-pocked hills of mid-Wales, near the small town of Eglwyswrw, an idea was born, and it wasn’t to buy some more vowels for the sign posts. The year was 1972, and a man named Alun Penrhys, a former taxidermist turned conceptualist, had grown tired of the visual tyranny of art. “Why must … Read more