Pedagogies of Paradox: Verticality and Authority in John Milton and Mary Poppins

That John Milton, the blind epicist of the Commonwealth, and Mary Poppins, the airborne governess of Edwardian London, should ever be mentioned in contiguous breath may at first seem a grotesque category error. Yet recent work in comparative para-literary hermeneutics has begun to expose the curious lattice of parallels between these ostensibly divergent personae. Indeed, … Read more

A Calamity in Pigment: Archibald Plimpton-Smythe on the First Impressionist Exhibition (Paris, 1874)

Edited, Annotated, and Introduced by Sarah Hilton of Pimlico Wilde, from the copy discovered by Mr. Leonard Forsythe, Antiquarian Bookseller Editor’s Introduction The review reproduced below, originally published in La Gazette des Beaux-Arts et Autres Déplaisirs (Paris, May 1874), represents one of the earliest surviving accounts of the group later canonised as the “Impressionists.” Its … Read more

Exhibition Review- The Geometry of Screaming: Angles of Agony in 14 Movements

Artist: Isolde Grack Gallery: The Gallery of Radical Completion, Notting Hill This is a hard sentence to write, but I have rarely experienced an art exhibition as terrible as Isolde Grack’s The Geometry of Screaming. The Gallery of Radical Completion on Portobello is well-known as an experimental space, but this goes too far. Grack, whose … Read more

Was Napoleon Actually an Englishman?

by Constance Addle Abstract: Traditional consensus places Napoleon Bonaparte (1769-1821) as a Corsican-born French emperor. Yet recent scholarship has reopened the question of his origins. This article reviews parish records, linguistic evidence, and geopolitical outcomes, arguing that the circumstantial case for Napoleon’s English birth, while controversial, is more compelling than the official narrative. I. The … Read more

Jakob Reinhardt (1829–1892): The Painter of Ashes

From the Handbook of Lesser-known Artists Among the labyrinth of forgotten 19th-century artists, Jakob Reinhardt of Königsberg occupies an eccentric and enigmatic corner. Though a handful of his paintings survive in regional German museums, his name is little known outside circles of scholars fascinated by the stranger currents of Romanticism. Reinhardt was both an innovator … Read more

The Life and Work of Élodie Marchand (1817–1879)

From the Handbook of Lesser-known Artists. In the grand pantheon of 19th-century European art, names such as Delacroix, Turner, and Courbet resound with acclaim. Yet buried beneath the avalanche of better-known reputations lies the story of Élodie Marchand, a French painter whose works, though few in number, spoke with a voice uniquely her own. Her … Read more

Film Review: The Chrysanthemum Variations

★★★★½ (4.5/5) With The Chrysanthemum Variations, director Aurelio Draegert has created a work so audacious, so formally perverse, that it hovers perilously between transcendent cinema and an elaborate act of aesthetic trolling. Yet, by some alchemy of vision and restraint, it achieves the former. This is a film that must be seen to be believed. … Read more

Weston-super-Mare: Melancholy Theatre of the Seaside

Weston-super-Mare occupies a curious place in the English imagination. At first glance, it is the archetypal seaside resort: wide sandy beaches, a pier, donkey rides, and the sweet smell of rock in the air. Yet beneath this postcard familiarity lies something more ambivalent,a space where leisure and melancholy, tradition and reinvention, rub uneasily against one … Read more