The London Art Discerner
News, opinions and reviews since circa 879 AD
Do Artists Work Better on Luxury Yachts?
It is one of the questions currently circulating in the overlapping worlds of art and...
Hedge Fund: Anyone Who’s Anyone Wants Their Portrait by This Artist
It is rare in the history of art to encounter a figure who unites society...
What Holds Us Up: The Exposed Furniture of Clara Jensen
Walking into a gallery of Clara Jensen’s work feels like stepping into a dissection room...
The New Travel Journal of Chester Hubble
Conceptual Land Artist Chester Hubble writes about his travel experiences away from his highly sought...
Interview with Teddy Fairfax on the Occasion of His Arrival at Pimlico Wilde Fine Art Dealers
Interview by C.H.Mankoly with our new CLO (Collector Liason Officer) It is an overcast morning...
Tinsel, Temporal Loops, and the Televisual Sublime: Christmas TV
To speak of Christmas television is not merely to catalogue schedules or to rank puddings...
Small is Beautiful, or the Ontology of Minutiae: A Review of the 43rd Edition at Flowers Gallery
by Merla Blathli In an age when the colossal and the monumental, be it scale...
Which Yachts Make the Best Floating Studios?
As the movement known as Yachtism gathers momentum, in which artists forsake city studios in...
The Haze of Laughter: Slough Museum Shuts Doors Amid Nitrous Incident
On Monday morning, the Slough Museum of Contemporary and Non-Contemporary Art (SMCNCA) announced it would...