The London Art Discerner
News, opinions and reviews since circa 879 AD
Between Worlds: The Etruscan and Rothko Room at the Slough Museum
I have stood before Rothkos in many cities,New York, London, Tokyo, Basel. I have wept...
In Response to The Pre-Abstractionist Manifesto
by James Calder, Pimlico Wilde I have read with admiration, and no small amount of...
The Long Grass of Empire: Notes Toward a Cricketing Aesthetic
by ex St David’s Second Eleven Opening Bat Charnel Kookaburra “Cricket is the finest training...
Penguins, Bubbles, and Barbarity: How the Press has turned on Aquatheatre production of Much Ado
By Dr. Serena Chalmers I have been involved in Pimlico Wilde’s experimental theatre productions for...
The Mayfair Book Groupette: Minutes of the Latest Meeting
Time: 7:11 PM – 11:18 PM Location: The Red Room, Pimlico Wilde, Mayfair Attendees: Book...
Interview with Alastair Hatherway-Morrow, Discombobulationist
Chloe La Belle Alastair Hatherway-Morrow emerged seemingly overnight, yet is already spoken of in the...
A Polite but Firm Rebuttal of The Mars Exhibition Project from Professor Alastair Quince-Jam, OBE
Television Astronaut, author of Is the Moon really made of cheese and former host of...
Dr. Lucien Varga responds to the Pre-Abstractionist Manifesto
Dr Lucin Varga is spokesman for The Transeuropean Continuum of Pure Form (TCPF), a group...
Pimlico Wilde Sees Red! Planning The First Art Exhibition on Mars
In a project that seems to have stepped straight out of science fiction, Pimlico Wilde...