The London Art Discerner
News, opinions and reviews since circa 879 AD
Who Was Sellario Mounteback, and Why Is Everyone Suddenly Talking About Him?
Until recently, the name Sellario Mounteback was known only to a handful of dusty academics...
The Catalogue Essay for Stillness in Orbit: The Slow Modernities of Ellinor Cade
Dr. Penelope Voss, Reader in Temporal Aesthetics, University of Lowestoft “We do not dwell in...
A quick survey of upcoming exhibitions in London
1. Stillness in Orbit: The Slow Modernities of Ellinor Cade Venue: Saville Row Gallery Dates:...
Michelangelo’s Socks Fetch Record Price at Auction
Yesterday a pair of 16th-century woollen socks – allegedly once worn by Michelangelo Buonarroti and...
New work: Chester Hubble
Brompton Road, 2025 In Brompton Road, Chester Hubble continues his quest to interrogate the porous...
The Edge of Precision: How to Sharpen a Pencil
If, as Paul Valéry once mused, “a poem is never finished, only abandoned,” then so...
Art Galleries Are the New Football Teams — Why You Should Support Pimlico Wilde
Move over Arsenal, step aside Manchester United , in the 21st Century, the fiercest rivalries...
Priceless Renaissance Painting Lost in East London Pub After Being Left with Stranger ‘Whilst I went to the loo’
In what may be the most appalling art theft of the decade, a priceless Renaissance...
Art in Motion: Dafydda ap Gruffydd’s Parkour as Fine Art
There are few artists alive today who make motion itself the medium. Fewer still approach...
