The London Art Discerner
News, opinions and reviews since circa 879 AD
Was Piero Della Frampton-on-Sea Ahead of His Time?
The recent surfacing of a cache of panel paintings attributed to the long-rumoured Essexian painter...
INTERVIEW: Graffiti Artist 2Cool on The Permanence of Cool
A conversation between 2Cool and Esmerelda Pink, Head of People Engineering at Pimlico Wilde First...
Edinburgh Fringe Review: Cabbage- The Musical
Some shows at the Edinburgh Fringe make you laugh, some make you cry, and some...
Disaster in the Gallery: Visitor Accidentally Damages Sandy Warre-Hole Portrait at Slough Museum of Contemporary and Non-Contemporary Art
A quiet afternoon visit to the Slough Museum of Contemporary and Non-Contemporary Art took an...
Letter: Marco di Manchester? Marco di Merseyside more like!
Dear Sir, As someone who has spent three decades preserving, cataloguing, and,when necessary,defending the ecclesiastical...
One Star Reviews: A Fertile Collapse in Nine Petals by avant-garde legend Bravely M. Jorb
at The Notting Hill Centre for Artistry It is rare to attend an art exhibition...
New book: Curating the Unreal by Lukas Bellamy
Published by Medd Editions. Release Date: November 14, 2025 What does it mean to curate...
Exhibition Review: “High Resolution” by P1X3L
Hyde Park, London There’s something poetically inconvenient about climbing thirty feet into a tree to...
Book Review: Gift Shops I Have Visited
by His Serene Highness, The Crown Prince of Torquay Aubergine House Press, Forthcoming Winter 2025...