The London Art Discerner

News, opinions and reviews since circa 879 AD


Was Piero Della Frampton-on-Sea Ahead of His Time?

The recent surfacing of a cache of panel paintings attributed to the long-rumoured Essexian painter...

INTERVIEW: Graffiti Artist 2Cool on The Permanence of Cool

A conversation between 2Cool and Esmerelda Pink, Head of People Engineering at Pimlico Wilde First...

Edinburgh Fringe Review: Cabbage- The Musical

Some shows at the Edinburgh Fringe make you laugh, some make you cry, and some...

Disaster in the Gallery: Visitor Accidentally Damages Sandy Warre-Hole Portrait at Slough Museum of Contemporary and Non-Contemporary Art

A quiet afternoon visit to the Slough Museum of Contemporary and Non-Contemporary Art took an...

Letter: Marco di Manchester? Marco di Merseyside more like!

Dear Sir, As someone who has spent three decades preserving, cataloguing, and,when necessary,defending the ecclesiastical...

One Star Reviews: A Fertile Collapse in Nine Petals by avant-garde legend Bravely M. Jorb

at The Notting Hill Centre for Artistry It is rare to attend an art exhibition...

New book: Curating the Unreal by Lukas Bellamy

Published by Medd Editions. Release Date: November 14, 2025 What does it mean to curate...

Exhibition Review: “High Resolution” by P1X3L

Hyde Park, London There’s something poetically inconvenient about climbing thirty feet into a tree to...

Book Review: Gift Shops I Have Visited

by His Serene Highness, The Crown Prince of Torquay Aubergine House Press, Forthcoming Winter 2025...