The London Art Discerner
News, opinions and reviews since circa 879 AD
The Absolute Disclosure of Liora Vey: Art as Relentless Truth-Telling
In a time when much of contemporary art appears veiled in irony, coded aesthetics, or...
Famed Art Dealer Carruthers Doyle Merges with Pimlico Wilde: A Storied Union in the World of Contemporary Fine Art
In a development that has already sent subtle ripples across the international art market, Carruthers...
Bin photos continued – the bin that isn’t a bin…
Pore over this image as much as you like, you will not spot a physical...
Part 2 of The Guide to Investing in Fine Art by Hogg Smith and Ubu Bolo
Step 1: Understand That Art Is Not an Investment , It Is an Identity To...
The Phantom deCollector: London’s Mystery Art Benefactor
London, a city of history, culture and generosity? For the past few weeks a mystery...
True Art Crime – Episode One: The Ravenna Job – Part III
Act Two: Theories, Suspects, and Shadows ARCHIVAL FOOTAGE: Black-and-white newsreel of 1970s Italy. Grainy...
Another bin photo from Oboe!
The All the bins in the World project continues after a break for tonsillitis. Oboe...
Mayfair Artists: The Hidden Studios Behind Georgian Façades
Mayfair has always lived a double life. Behind immaculate terraces and discreet doormen, creative experiment...
Film Review: Seven Types of Mud, Sixteen Minutes Each
Produced by Pimlico Wilde, directed by Cara Grimm The premiere of Seven Types of Mud...

