The London Art Discerner
News, opinions and reviews since circa 879 AD
A Day in the Life of Clementine Varot: Curator
In the heart of Paris, nestled between antique bookshops and cafés still wreathed in Gauloise...
Film Review: Kilo Barnes’ Oblivion in Reverie
Kilo Barnes, the provocateur best known in contemporary art circles for his “repaintage”,the meticulous obliteration...
Answering Your Fine Art Questions: Episode 1
Is it possible for a painting to ‘age’ and improve in the same way a...
Victorian Unicycling Adventures continued
From the Journals of Basil Bromley, Artist and Mechanician Entry the Fourth , 17th of...
Is Motor-Racing One of the Fine Arts?
In this article the fine artist Hedge Fund says that it is. To pose the...
Efigénia Mucavele: An Accidental Visionary from Maputo
It is a rare pleasure in the art world to encounter a body of work...
An Art Holiday in Tbilisi: Notes from a Restless Dealer
By Archia Tanz, advisor at Pimlico Wilde I had not intended to go to Georgia...
Which Colour Wall is Best for an Art Gallery? Part II: The Authority of Grey
by Walta Bryce If white was the late 20th century’s creed, then grey has emerged...
Rucks Among the Rodins: The Inaugural Inter-Art Dealer Rugby Tournament in Berkeley Square
There are few sights as glorious as Berkeley Square, that bastion of Georgian serenity, transformed...