The London Art Discerner

News, opinions and reviews since circa 879 AD


The Gesture at the End of the Century: Clara von Hohenberg’s Finger Paintings at the Pimlico Wilde Blythe Annex

It is an old avant-garde fantasy that art might be stripped back to its primal...

One Star Reviews: A Midsummer Night’s Dream at the Fitzrovia Theatre

I Woke Up and It Was Still Happening There’s a fine line between “visionary reinterpretation”...

Announcement: A New Voice Joins Pimlico Wilde

Pimlico Wilde is thrilled to announce the launch of a brand-new monthly column by none...

Diary of an Art Dealer

The weather was unbearable today , humid, oppressive, the kind of heat that makes everything...

A Formal Apology from Pimlico Wilde Gallery

We at Pimlico Wilde Art Gallery feel compelled,indeed, morally obligated,to address the unfortunate incident stemming...

Travel: The Fine Art Smirk that Launched Several Trains

Tracking the Elusive Cool Across Europe By Jessop Dinton of Art & Elsewhere Magazine There...

Discombobulationism: The Peripheral Dislocations of Aurelia Kaspár

If Discombobulationism has come to designate an aesthetics of bewilderment,works that dislodge the viewer from...

One Star Reviews: Gristle of the Spirit: Towards a Meat-Based Aesthetic

An Operatic Farce in Twelve Tiresome Acts It takes a certain kind of genius,or perhaps...

Final Diary entry of Hally Redoubt: Race the Blue Train

(Final Extracts, London – St Ethelbert’s Square) Late night, outskirts of London We entered the...